A Noh play portrays one all-encompassing emotion dominating the main character, the shite (she-tay). Whether jealousy, rage, or sorrow, all music, gesture, dance, and recitation are used to build the emotion to its final climax at the close of the play. Often the plays depict the return of a historical personage, in spirit— or "ghostly"— form, to the site of a significant event in his or her life. A warrior might return to the battle field, or young woman to the scene of a love affair. According to Buddhism of the fourteenth century, a person could not find spiritual release even after death if he still possessed a strong emotion or desire. To exorcise this emotion, the warrior might appear in his armour and recreate the battle in a dance. The dance would reveal his humiliation at suffering defeat.
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